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These lads mos def throw down the rhymes in a charmingly good-natured yet enthusiastic fashion.ĩ. Here Brown enthusiastically trades off raps with UK singer/songwriter/Taylor Swift pal Ed Sheeran - truly the second coming of ebony and ivory. While it’s not exactly Public Enemy, “Loyal” is a tip of the hipster hat to the earlier days of rap, just as it was beginning to make inroads into the mainstream. This is “I Get Around” for the hip-hop generation - ooh wee, kiss kiss in the front seat of my ride, the beat makes everything go faster and smoother…the more things change the more they stay the same…and like T-Pain says, “If you ain’t got it by now, then you ain’t gettin’ it.” How true, T, how true. Romantic desire and the desire for automotive freedom - the Beach Boys had theirs, and Chris Brown has his. His vocals become another motif for you to get lost in. Brown entreats you to be taken away by the music and the beat the beat the beat - it’s his world now, and you’re invited to get-down therein. Further proof that vocally Brown may be the heir to Michael Jackson’s throne.Ī straight-up put-your-hands-up-in-the-air dancefloor raver. There a nice contrast here, between the driving, whip-smart, get-the-crowd-moving rhythm and the imploring of Brown’s singing as he dreams of a better, more exciting, love-strewn world than the one most of us must deal with. Is that the sound of an acoustic guitar? Yes, your ears do not deceive you - before it becomes part of a dancefloor panorama, that is. The tune evokes dancefloor moves but does not compete with the yearning prettiness of the singing and sentiments. Here, the voices of Brown and Ariana Grande meld like honey from two different hives, he smooth and pleading with dignity, she spirited and determined with a touch of the ecstatic. Sonny & Cher, Peaches & Herb, Marilyn McCoo & Billy Davis, Sparks and Jane Weidlin-the world of pop has always had a soft spot for boy/girl duets. “Don’t Be Gone Too Long” (with Ariana Grande) There’s a melodic hook that Prince or Rick James would’ve killed for, too.Ĥ.
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Like that boss says admiringly to the new Employee of the Week: “You got spunk!”Ī wiry, fuzz-accented bass leads into this tale of maybe-doomed-love (so goes the video, dig?) with Brown’s Jackson-like singing (he doesn’t “sound like” Jackson, they just share vocal qualities) oozing confidence and self-assurance. Minaj contributes a playfully pointed Jamaican-accented (here ‘n’ there) rap that dovetails wonderfully with the song’s character.
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Despite that, this is a romantic jam with a classic smooth cadence and earnestly romantic singing… with a hint that the world is out there, waiting.įor those weaned on the halcyon days of Michael Jackson’s “Thriller,” rejoice - “Love More” has some of that album’s perky, night-on-the-town-that-is-for-tonight-MINE ambience, especially the Jackson-ish semi-carefree vocal from Brown. “New Flame” (featuring Usher & Rick Ross)Īn insistent synthesizer bleats as a sly refrain sets the stage for Brown’s suave vocal, until the reverie is suspended by a rap mentioning George Steinbrenner.
#Chris brown party lyrics az how to
Love him or hate him, forgive him or not, Chris Brown still knows how to get people on the dance floor. Here is a cross-section of his range of talents.ġ.